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The child who portrayed Jakob was completely convincing, and we truly care about him. Moritzen, Munck, Enevold and Harris are also impeccable.
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You believe the attachment that he can't entirely admit to himself. Mikkelsen by no means needs to be in his brother's shadow, because his intense, underplayed and flawless performance in the lead is strong.
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There are nice, effective twists and a slowly growing sense of paranoia. It also develops well throughout, and the pacing is spot-on, I was engaged and emotionally involved from start to finish. The plot is genuinely interesting, rather well-told, you don't lose track of any of what's going on at any point, in spite of it being plenty complex. without the rest of management knowing about it. He is assigned to find the aging director's successor. The fact that he's very skillful at it gets him the attention of the massive, powerful and influential Sieger concern. After a career in journalism, Martin Vinge has gone into headhunting, meaning, he researches to find the best candidate for important positions in companies, and he pursues it quite enthusiastically. Within the first few seconds, this marks itself as a sharply written, smart and subtle film, and while that was something I already knew we were capable of putting up on the big screen, it never hurts to see us doing it again. maybe don't watch it with the kids.The trailer for this(which, I might add, does not give everything away) had me considering if it might be worth a trip to the theater, and I was not disappointed. Shot for barely anything over just a few weeks, this was a hard, tough shoot that paid off, eventually earning Gilroy an Oscar nomination for Best Original Screenplay and - if this is comparable to an Academy Award nod, which I admit it's not - ending up my favourite film of 2014. Rene Russo is also superb here as the news producer willing to buy Bloom's no-doubt illegally acquired footage - even developing a properly uncomfortable sexual relationship with him, yeesh - as is the late, great Bill Paxton and the always-excellent Riz Ahmed. There are some many layers and levels and curious moments to enjoy, with our lead actor obviously throwing himself headlong into the role, losing 20 pounds, putting his hair into a man bun and developing a speaking intonation that really wriggles under your skin. Gyllenhaal is outstanding as the fascinatingly creepy Lou Bloom, whether he's spouting out self-help business speak - "My motto is if you want to win the lottery you've got to make money to buy a ticket" - or breaking into someone's home or having a breakdown and smashing up a mirror.
#Headhunters movie based on history tv
This is the directorial debut of Dan Gilroy, who before this wrote the likes of Freejack (1992), Real Steel (2011) and The Bourne Legacy (2012) - but don't let that cloud your thoughts on this particular film: here's a messed up, edgy thriller about modern journalism, the gig economy and what happens when a sociopath (played by Gyllenhaal) gets caught up in the ethically treacherous world of ambulance chasing, driving around LA in the never-ending pursuit of the most provocative, incendiary and ideally gory news TV footage out there, whether it's road traffic accidents, burglaries or murder. So after all that faff, here below are the 'purer' thrillers - though if you're interested, be sure to note down all these ones I've mentioned here and in my 'honorable mentions' list as you won't be disappointed, trust me.īut back to Nightcrawler. And same goes for neo-westerns like my beloved and oft-recommended Hell Or High Water or Wind River. And if you're a "sci-fi thriller" like the amazing Time Crimes or Predestination or Ex Machina, no dice, sorry.Īnd horror too, of course, which rules out the likes of Don't Breathe or the outstanding Get Out, or You're Next, or Kill List, or even The Babadook. I love you all, but you're not on this list, you're just too well known. So sorry, Drive, Shutter Island, Collateral, The Prestige. There are so many, in fact, that whittling them down to just five was nigh-on (if not flat-out) impossible, but with the added quirk of them being 'underseen' - that is to say, not massive hits at the box office and generally a darn sight indier than the likes of Bourne, Mission Impossible, Bond and co - I've just about managed it.